alan moore
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I like to post larger images than this, but this was the best Melinda Gebbie I could find that I feel comfortable posting—she did some beautiful work on Lost Girls with her husband Alan Moore (far superior to his, frankly), but that stuff is pretty blue and the explicit nature of the subject matter distracts from
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Here’s Kevin O’Neill’s magnificent cover to The League of Extraordinary Gentlemen: Century—1969. This book has gotten better and better, and the recent conclusion of this volume was maybe as good as it’s ever been. Moore really seems hell-bent on writing a good story all the way to its conclusion; in a lot of ways, it’s
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John Totleben is slowly losing his vision, which is a tremendous shame, because he’s a wonderful, wonderful artist, as evidenced by this Swamp Thing cover.
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Here’s a page from Tom Strong #14 by Chris Sprouse, a wonderful artist who took over on Supreme and left the book with Moore after publisher/creator Rob Liefeld’s backers pulled out, leaving the publisher in limbo for several years. Moore and Sprouse reworked the Supreme stories they’d been working on and a pitch for another
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Here’s Jerry Ordway’s fantastic Superman #1 homage cover for Supreme #41, my personal favorite work by Alan Moore and some of the best old-fashioned superhero stories you’ll ever read. Erik Larsen’s reappropriation of the character as a dumb, macho riff on Superman is frankly the artistic equivalent of a war crime and I wish the
GRAPHOMANIA 